@prothero,
prothero;142428 wrote:Well, I dont know.
I relate to the notion that earthly forms are aesthetic in so far as they conform to transcendent eternal perfect forms (along the lines of Plato).
I relate to the concept that most perfect forms have some sort of mathematical, proportional expression (along the lines of Pythagoras).
Forms, aesthetics and mathematics are all related.
Yes, the forms in the pure state are arguably non-material. But to communicate them from human to human requires sound/image/text. I agree quite a bit with your last line. We've got loose logos (discourse) on one side, with its useful but blurry metaphorical nature....and stiff mathema on the other side, with visual ration center stage...except the non-spatial number has come into its own these days. I'm reading this book on that strange number "e."
---------- Post added 03-25-2010 at 02:45 PM ----------
Fido;142432 wrote:That is just another way of saying it is what it is...If Art is subject, it is the lense of the camera turned upon the camera...It does not represent, and instead it reflects...
Some of the super simple art is maybe more valuable as a reminder than as art proper. It it's a poke in the eye reminded us that painting is made of color first, symbolic representations second. Personally, I think symbolic representations are the peak of visual art. But some of the modern painters off a reduced but rarefied Portrait of the Camera, as you say.
You are probably familair with the Black Painting, of which there are several. This reminds me of the number zero, which was of course an invention, and one that took a while to catch on. It seems to have come from the East.
---------- Post added 03-25-2010 at 02:48 PM ----------
PappasNick;142759 wrote:If psychology swallows philosophy I believe it will suffer from indigestion.
I agree. They are uncomfortable neighbors. And philosophy spawned psychology in the first place. We don't want the son to eat the father.
Really, psychology could make invasive claims on any subject, as the mind is involved in everything human.
---------- Post added 03-25-2010 at 02:48 PM ----------
HexHammer;143010 wrote:Maybe you will find the root of modern painting in Bruno Leski's invention of perspective painting.
I don't know that guy in particular but the perspective point is a good one to make.
---------- Post added 03-25-2010 at 02:50 PM ----------
Fido;143366 wrote:..All the soft sciences have exactly the same goal, of understanding man, as if that were possible since mankind is an infinite, like all moral forms...
Well said. not only is man an infinite form, but he's also a changing form, as his evolution is primarily cultural, including the technology that makes him a miniature god.