@Fil Albuquerque,
Fil. Albuquerque;98353 wrote:An Inductive argument as to be true...if inconclusive, means that is not arguable by itself alone...it misses an X
---------- Post added 10-18-2009 at 03:40 PM ----------
conclusionconclusion, may or may not be true, but then is not an argument anymore, is it ?
Dialectic Discourses: Neostructuralist deconstruction in the works of Stone
B. Jean-Francois Finnis
Department of Literature, Miskatonic University, Arkham, Mass.
David C. Scuglia
Department of Sociology, Yale University
1. Neostructuralist deconstruction and the postsemioticist paradigm of discourse
"Culture is elitist," says Foucault; however, according to Dahmus
[1] , it is not so much culture that is elitist, but rather the paradigm, and subsequent collapse, of culture. Thus, Lacan uses the term 'Sartreist existentialism' to denote the role of the observer as participant.
In the works of Stone, a predominant concept is the distinction between without and within. If the postsemioticist paradigm of discourse holds, we have to choose between Sartreist existentialism and the cultural paradigm of reality. In a sense, Baudrillard uses the term 'the postsemioticist paradigm of discourse' to denote not desituationism, but predesituationism.
Marx promotes the use of Sartreist existentialism to analyse and attack society. But many narratives concerning subdialectic construction may be discovered.
Finnis
[2] implies that the works of Stone are reminiscent of Glass. Therefore, the postsemioticist paradigm of discourse states that art serves to reinforce capitalism, but only if truth is equal to reality.
A number of theories concerning a self-justifying paradox exist. In a sense, Sontag's model of Sartreist existentialism holds that the law is capable of truth.
2. Contexts of collapse
"Sexual identity is fundamentally impossible," says Derrida. If Batailleist `powerful communication' holds, we have to choose between neostructuralist deconstruction and constructivist situationism. But Sontag suggests the use of the postsemioticist paradigm of discourse to challenge hierarchy.
In the works of Stone, a predominant concept is the concept of neodialectic culture. Wilson
[3] implies that we have to choose between Sartreist existentialism and capitalist prestructuralist theory. It could be said that many theories concerning neostructuralist deconstruction may be found.
The subject is contextualised into a postsemioticist paradigm of discourse that includes art as a whole. But the example of Sartreist existentialism which is a central theme of Gaiman's
Black Orchid emerges again in
Death: The High Cost of Living, although in a more capitalist sense.
Lacan uses the term 'neostructuralist deconstruction' to denote the common ground between class and society. However, the premise of the postsemioticist paradigm of discourse holds that consciousness is used to exploit the proletariat.
The subject is interpolated into a neostructuralist deconstruction that includes narrativity as a reality. But the postsemioticist paradigm of discourse states that sexuality has significance.
3. Gaiman and neostructuralist deconstruction
"Class is part of the defining characteristic of language," says Debord; however, according to la Tournier
[4] , it is not so much class that is part of the defining characteristic of language, but rather the dialectic, and therefore the economy, of class. If the postsemioticist paradigm of discourse holds, we have to choose between neostructuralist deconstruction and subdialectic discourse. Therefore, Foucault's analysis of Sartreist existentialism suggests that narrative is created by communication, but only if the postsemioticist paradigm of discourse is invalid; if that is not the case, art is meaningless.
In
Neverwhere, Gaiman examines Sartreist existentialism; in
Black Orchid, although, he deconstructs the textual paradigm of consensus. But Prinn
[5] holds that we have to choose between Sartreist existentialism and neodialectic capitalist theory.
The subject is contextualised into a postsemioticist paradigm of discourse that includes reality as a paradox. Therefore, if Debordist situation holds, the works of Burroughs are not postmodern.
The subject is interpolated into a Sartreist existentialism that includes art as a reality. In a sense, la Fournier
[6] states that we have to choose between the postsemioticist paradigm of discourse and predialectic sublimation.
4. Realities of fatal flaw
If one examines Sartreist existentialism, one is faced with a choice: either accept the postsemioticist paradigm of discourse or conclude that society, surprisingly, has intrinsic meaning. In
Naked Lunch, Burroughs analyses neostructuralist deconstruction; in
The Last Words of Dutch Schultz he affirms the postsemioticist paradigm of discourse. It could be said that the premise of neostructuralist deconstruction suggests that academe is capable of significant form.
In the works of Burroughs, a predominant concept is the distinction between destruction and creation. Baudrillard uses the term 'Sartreist existentialism' to denote a self-sufficient paradox. In a sense, if Foucaultist power relations holds, we have to choose between Sartreist existentialism and deconstructive postmodernist theory.
Any number of narratives concerning the bridge between class and sexual identity exist. Thus, the characteristic theme of the works of Burroughs is the role of the observer as poet.
Sontagist camp holds that narrativity is part of the absurdity of culture, given that reality is interchangeable with narrativity. It could be said that Marx promotes the use of neostructuralist deconstruction to analyse class.
Bataille uses the term 'textual precapitalist theory' to denote not, in fact, discourse, but subdiscourse. However, the main theme of Dahmus's
[7] critique of Sartreist existentialism is the rubicon, and some would say the collapse, of semiotic sexual identity.
1. Dahmus, I. D. (1994)
Socialism, neostructuralist deconstruction and Marxist socialism. O'Reilly & Associates
2. Finnis, N. B. E. ed. (1977)
The Discourse of Fatal flaw: Neostructuralist deconstruction and Sartreist existentialism. Cambridge University Press
3. Wilson, N. U. (1988)
Sartreist existentialism in the works of Gaiman. And/Or Press
4. la Tournier, B. S. P. ed. (1971)
Reinventing Social realism: Sartreist existentialism and neostructuralist deconstruction. Loompanics
5. Prinn, E. H. (1990)
Sartreist existentialism in the works of Burroughs. O'Reilly & Associates
6. la Fournier, K. L. N. ed. (1982)
The Context of Paradigm: Neostructuralist deconstruction in the works of Fellini. And/Or Press
7. Dahmus, U. (1978)
Neostructuralist deconstruction and Sartreist existentialism. Harvard University Press
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Yeah, I can post meaningless text too!